![]() Simple, striking and full of Moss’ now infamous minimalism, he went on to create a Star Wars series that attracted a mass of attention. Poster-wise, it was Moss’ Saul Bass inspired creation for Locke’s Secret that got the ball rolling. It was this Saul Bass inspired creation that first got Moss attention Both designer and fan have a huge passion for such themes, which could explain Moss’ growing popularity over the years. However, Moss has been quick to challenge this, stating that his love for these films and characters simply fuels the work – inspiring and influencing him whenever his pen touches paper. Controversyĭue to the nature of his work, some have accused Moss of creating such well-known portraits and posters purely for profit. ‘ Paper Cuts’ featured 300 laser cut, black Victorian silhouettes of iconic characters from movies, television, music and games, making for an innovative approach to the idea of celebrity and pop culture. The exhibition was a stark and refreshing reminder that pop culture art is still very much ‘art’ in its own right. Fans even lined the streets 24 hours before opening in hope that they would be able to get their hands on a Moss original. ![]() The content of the exhibition was kept secret for months, proving that Moss had already escalated to pop icon stature. Moss was then approached by Gallery 1988 founder Jensen Karp to create a series of illustrations to be displayed and sold at the Los Angeles space. Graduating from the University of Birmingham in 2008 with a degree in English literature, he didn’t have any traditional design training before experimenting with illustration.Starting his career creating T-shirt designs for Threadless, Moss quickly amassed a following of fans that cherished his minimal approach - an approach that was transferred to his movie poster reimagining. “Part of the reason we have a fresh look is because Olly is not limited by what he thinks is possible.The brilliant design was inspired by Japanese animation Spirited Away ('Sen to Chihiro') “A lot of videogames look videogamey because designers are told, ‘We can’t do this, we can’t do that.’ You pigeonhole yourself into a certain look,” Campo Santo’s Lead Environment Artist, Jane Ng, said. This critically acclaimed game is known for its iconic art style, a translation of Moss’s 2D style to a 3D environment. Moss was responsible for the game’s color and lighting scheme and handled all of the environment design language, he also created various logos and designs for the props in Firewatch. Inspired by the iconic style of the 1960s National Park posters, Firewatch echoes Moss’s graphic style. Moss worked closely on the design and was art director for the studio’s first release, Firewatch. In September 2013, Moss and Mark of the Ninja lead designer Nels Anderson joined with former Telltale Games employees Jake Rodkin and Sean Vanaman to found Campo Santo. ![]() In February 2012, Moss designed a poster for The Oscars, it featured 85 Oscars statues, each themed after each year's Best Picture winner. He also did the book covers for the first digital copies of J.K. Other notable works include the cover artwork for the Resistance 3 video game, which prompted a trailer to be created in similar style and work for Sony’s rebooted The Amazing Spider Man. He was commissioned by Marvel Entertainment executives Craig Kyle and Kevin Feige to create a poster for the cast of Thor. He initially wanted to pursue a career in advertising but ended up enjoying graphic design and illustration. His illustration work began as a hobby, but showing his work on the internet led to commissions and helped him to make his way through University creating popular T-shirt designs on Threadless. ![]() Moss is a regular guest on the IGN UK and A Life Well Wasted podcasts. Moss graduated from the University of Birmingham in 2008 having studied literature. ![]()
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